DAY 93 Lotus Subroutine Breakdown

VIDEO LINK

Padmasana, the lotus posture is, of course, the classic meditation posture. Although there are other notable meditation postures, siddhasana, gomukhasana, virasana and vajrasana, padmasana holds a special place because of it's stability. There is a beauty to it's construction, it feels symmetrical, the legs bound secure allowing for the arm balances, for example, in the final subroutine of the series. It is an excellent posture for engaging the bandhas, mula bandha feels particularly grounded and the stability of the pose lends itself to exploring uddiyana and jalandhara bandhas.

As well as for meditation practice, padmasana is an excellent posture for pranayama, again, on account of it's stability.

Some however may ind the posture boring or tedious, the subroutines allow us to explore multiple vinyasas while in padmasana, creating interest that may encourage us to spend longer in the posture which will in time allow the posture to become more comfortable.

The first subroutine day 88, the half lotus, is a good preparation for developing the lotus posture as are many of the hip opening postures and vinyasas from the asymmetric and seated sequences.

In this course of subroutines I've placed the sequences in order in which I tend to practice them, starting with standing postures moving on through seated or backbend postures up to inverted. I tend to finish my practice with one or more lotus subroutines, staying in the posture for my pranayama and meditation practice.

However, while working towards padmasana the half lotus or siddhasana for example would serve just as well.

I've tried to stress that padmasana is about the hips rather than the knees so here, again are my practice notes for entering padmasana from Day 88

Getting in to full Lotus

NB: THE most important thing to remember is to protect your knees, that it's the hip joints that do all the work, the knees only bend one way it's the rotation of the ball and socket hip joint that makes padmasana possible

Right leg

Bend the right knee and bring it up towards the chest. Reach with the right hand down inside the thigh and take hold of the right ankle.

Allow the right knee to drop out to the side through the rotation of the hip joint. Focus on that hip action, of the ball and socket joint, the femur head rotating in the hip socket, encourage it.

There's a tensing of the right buttock a lifting almost and a stretching of the thigh as you encourage the rotation in the hip joint that will bring the knee down towards the mat and the ankle to come up. This action should only happen at the hips joint your NOT pulling up the ankle and your NOT forcing the knee down.

If this isn't happening it might be best to work on more hip opening postures, mahamudra in Asymmetric, badha konasana in Seated.

Lift up through the torso, support the right foot with the left and right palms and guide NOT pull the foot to the left thigh.

Lift up again and bend forward slightly, roll onto the front of the sit bones and guide the right foot a little further up the left thigh into the groin.

Again lift and roll further onto the sit bones allowing the right knee to rest on the mat.

Left leg

Bend the left knee and again focusing on the hip joint allowing the left knee to drop out to the side.

Rock your body forward and draw the right knee out to the side through the thigh muscles. Lock the knee by pressing the calf muscles against the thigh.

Reach over the left foot and support the left ankle with the left palm, cupping under the foot with the right palm, encourage the hip joint to rotate further and allow the knee to drop further out and down. Again, your not pulling on the foot but rather supporting it to allow the hip joint to do it's work.

Lift up through the torso, rock further forward on the sit bones and stretch out through the left thigh to allow the foot to come up over the right leg. 

Using the strength of the thighs bring the knees a little towards each other this will bring the right foot finally up onto the right thigh closer to the groin.

Shuffle around on your sit bones if necessary, encouraging more rotation of the hip joints to tighten the lotus, this is preferable to wrenching, tugging, pulling the feet.

Ultimately, for many of the lotus vinyasas you will require a nice tight lotus where the heels are digging slightly into the belly, the soles of the feet pointing up and the knees closer together. In fact, the heels can be considered to be massaging the inner organs in some of the vinyasas by pressing deep into the belly

To release

Sit up straight lifting up through the torso, focus on the left hip joint and encourage it to rotate by engaging the thigh muscles which will press the left knee into the mat this will allow you to very gently encourage the left foot off of the right thigh.

As you allow the knees to draw apart the lotus will unfold, again allow the right hip joint to do it's work bringing the right knee down into the mat and allowing the right foot to glide off the left thigh.

Day 87 : LOTUS : Ardha badha-padmasana (half lotus) from Vinyasa Krama Lotus sequence

VIDEO LINK

This is almost the same subroutine as Day 26, Adha padmasana, found in the Asymmetric sequence.

This subroutine along with the half lotus subroutines found in the other sequences can be considered as preparation for full lotus

from On One Leg Sequence Day 17 Vrikmasana
from Asymmetric Sequence Day 26 Ardha padmasana
from Asymmetric Sequence Day 32 Ardha padma marichiyasana
from Supine Sequence Day 60 Dwipadapitam

from Supine Sequence Day 68 Supta ardha badha halasana

The hip opening Mahamudra subroutine from Asymmetric Day 27 is also good preparation for the half lotus as well as the Badha konasana Subroutine leading up to padmasana  from Day 42

HINTS/TIPS/SUGGESTIONS

Half lotus

See Day 17 Vrikmasana for some notes on standing half lotus.

To get into half lotus : Bend the knee bringing it towards the chest, allow the knee to drop out to the side, key here is the natural rotation in the hip joint. Bring the foot close to the opposite thigh, hold your foot in one hand and the knee in the other and GENTLY encourage the roration of the ball and socket hip joint, bring the knee forward parallel with the floor towards the opposite knee and the foot further up the thigh and ideally, eventually, towards the groin.

CAUTION

You don't want to force this action, if you feel strain on your knee it may be better to practice tomorrows subroutine built around mama mudra with the foot against the thigh rather than on top instead. Practicing the maha mudra subroutine will bring half, and eventually, full lotus closer.

As we have found in all forward bending asana, stretch out of the hips as we practiced in the standing On your feet sequences, the same goes for the twisting postures.

CAUTION.

In picture 4 (the raised hip), Vasishtasana or Kashyapasana we must be careful of the knee. Work from the top down, pushing down into the mat and lifting your shoulders then lifting the hip which will allow the leg to straighten, lower in reverse, DON'T push off the mat from the foot, knee or hip first as this will put too much strain on the knee which is vulnerable here.

Day 80 : INVERTED : Urdhava Padmasana (inverted lotus) from Vinyasa Krama Inverted sequence

VIDEO LINK

HINTS/TIPS/SUGGESTIONS

Padmasana (lotus) can be a challenging posture and there are many places to work towards it in Vinyasa Krama.

In Asymmetric Sequence: Padmasana doesn't appear as such but there are several hip opening postures, janusirsasana in particular, that prepare you for ardha baddha padmasana (half lotus).

In Lotus sequence : The lotus sequence picks up where Asymmetric leaves off with more vinyasas in half lotus before moving on to full lotus.

In Seated sequence : Padmasana (lotus) follows the deep hip opening subroutines of upavishta konasana and badha konasana.

In Supine sequence : More half lotus variations, this time in dwipadapitam (table pose). In shoulder stand we have the half lotus vinyasas of Day 68 but also the extreme hip openers of the previous (Day 69 ) Urdhva Konasana subroutine.

In Inverted Sequnece : As with Supine and Seated the lotus vinyasas in headstand follow, konasana and badha konasana subroutine.

In all of the above sequences we can see that padmasana (lotus) follows hip opening postures, this is because padmasana (lotus) is a hip rotation rather than a twisting of the knees.

CAUTION

Don't twist the knees to get into padmasana, rather the knee is relaxed slightly and the femur head rotated in the hip joint allowing the knee to come out to the side like turning the page of a book bringing the foot up toward the opposite thigh. We bring the foot to the opposite groin by rotating the hip joint further to bring the foot into place.

Once one foot is comfortable on the opposing thigh we do the same for the other leg, relaxing the knee slightly, rotating the femur head in the hip joint but here in the inverted postures of shoulder stand and headstand we can allow the first leg to drop back a little to allow the second foot to come up smoothly on to the thigh, working the foot deeper into the groin.

Allowing the first leg to drop back to allow the second foot to come up onto the thigh more easily is something that's only available in the inverted postures. For this reason Supine and inverted may, surprisingly, be an easier option for developing padmasana.

In Sirsasana

Come into lotus via urdhva konasana. Spread the legs wide, on the exhalation, bend the right knee and rotating the femur in the hip joint bring the right foot up on to the left thigh (you may drop the left leg back a little to counter the weight of the knee coming forward to stay balanced pic.3). Inhale and on the next exhalation take your right knee back which will cause your left knee to bend slightly. Rotate the left femur head in the hip joint to bring the left foot onto that right thigh. 

You may need to shuffle your feet slightly to settle into your lotus, try to do this by working from the hip joint rather than from the knee.

Twists

twist on the exhalation, a gentle twist at first, twisting a little further on each exhalation.

Anchor the head and elbows

Press the opposite elbow to the direction your twisting firmly into the mat.

Viparita yoga mudra - Lowering your lotus

These become progressively more challenging.

Version 1 (pic.7) bend at the waist while exhaling bringing the knees to the chest . 

To raise your lotus, engage your bandhas and lift on the inhalation.

Version 2 (pic.9), bend at the waist on the exhalation, to the previous position, but then, while continuing your exhalation, round the back slightly to bring your feet to your chin.

To raise from there, engage the bandhas and while inhaling, straighten the back and then the waist.

Press into your elbows as you lift.

Version 3  (pic.11) on the exhalation, bend at the waist then round the back to bring your feet to your chin ( the previous position). Your knees should be almost tucked into your armpits and resting at the top of your arms.

Take an inhalation here and then on the next exhalation slide/lower your knees down the backs of your arms to rest on the mat touching your elbows.

To lift back up from here, exhale fully, engage the badhas and pressing firmly into the mat with your elbows draw your knees back up the back of your arms to your armpits.

Take a breath and on the next exhalation, straighten the back to bring the knees to the chest and then straighten the waist to bring your lotus the last of the way up.

Lifting the lotus is challenging, once lifted, pause to take one of two breaths, then when you are ready, allow your knees to draw apart, releasing your lotus back into urdhava konasana, finally bringing your legs back together into sirsasana sthiti.

Lotus to Sirsasana VIDEO LINK

The final vinyasa called for a tight lotus and you may wish to work towards this as a separate subroutine (see Lotus subroutines -to come).

From seated padmasana, lift up onto your knees, bend forward and place your hands on the mat with the fingers interlocked ready for headstand. Place the back of your head in the cup formed by your hands and bring your knees forward so they are touching your elbows.

To lift back up from here, exhale fully, engage the badhas and pressing firmly into the mat with your elbows draw your knees back up the back of your arms to your armpits.

Take a breath and on the next exhalation, straighten the back to bring the knees to the chest and then straighten the waist to bring your lotus the last of the way up.

Follow the directions above for the 3rd version (pic 11) to lower and raise your lotus to and from the mat. 

Day 70 : Urdhva Padmasana (lotus) in Sarvangasana (shoulderstand) subroutine from Vinyasa Krama Supine sequence

VIDEO LINK

As a reminder, Ramaswami recommends we spend five minutes in Sarvangasana (first three minutes with the legs relaxed next two with the legs straight in standard Shoulderstand) before practising the sarvangasana vinyasas

Ramaswami would also recommend a counterpose after sarvangasana so as to relieve the strain placed on the neck and shoulders, he suggests bhujangasana (cobra, Day 45) and especially makrasana (crocodile, Day 44) as ideal counterposes, stating that, 'The counterposes, as a rule, should be simple, effective and targeted' (Yoga beneath the surface p105).

HINTS/TIPS/SUGGESTIONS

Padmasana (lotus) can be a challenging posture and there are many places to work towards it in Vinyasa Krama.

In Asymmetric Sequence: Padmasana doesn't appear as such but there are several hip opening postures, janusirsasana in particular, that prepare you for ardha baddha padmasana (half lotus).

In Lotus sequence : The lotus sequence picks up where Asymmetric leaves off with more vinyasas in half lotus before moving on to full lotus.

In Seated sequence : Padmasana (lotus) follows the deep hip opening subroutines of upavishta konasana and badha konasana.

In Supine sequence : More half lotus variations, this time in dwipadapitam (table pose). In shoulder stand we have the half lotus vinyasas of Day 68 but also the extreme hip openers of the previous (Day 69 ) Urdhva Konasana subroutine.

In Inverted Sequnece : As with Supine and Seated the lotus vinyasas in headstand follow, konasana and badha konasana subroutine.

In all of the above sequences we can see that padmasana (lotus) follows hip opening postures, this is because padmasana (lotus) is a hip rotation rather than a twisting of the knees.

CAUTION
Don't twist the knees to get into padmasana, rather the knee is relaxed slightly and the femur head rotated in the hip joint allowing the knee to come out to the side like turning the page of a book bringing the foot up toward the opposite thigh. We bring the foot to the opposite groin by rotating the hip joint further and using the hand to guide (guide not pull) the foot into place.

Once one foot is comfortable on the opposing thigh we do the same for the other leg, relaxing the knee slightly, rotating the femur head in the hip joint but here in the inverted postures of shoulder stand and headstand we can allow the first leg to drop back a little to allow the second foot to come up smoothly on to the thigh, guiding the foot deeper into the groin with our hand.

Allowing the first leg to drop back to allow the second foot to come up onto the thigh more easily is something that's only available in the inverted postures. For this reason Supine may, surprisingly, be an easier option for developing padmasana.

Because we want to use one hand to draw the foot deeper into the groin we need to make sure that we are firmly supported in shoulder stand with the other hand. Be sure to have the hand supporting the back rather than the hip. the hand should be close to but not on the spine with the fingers pointing upwards.

You may want to bring the trailing leg further over the head and shoulders in the beginning to stay stable.

Lowering the lotus (pic.3)
Engage the bandhas, draw up the anus and draw the belly in and up to create space to fold your lotus towards your head, try to keep your lotus as close to your chest as possible.

Pindasana (pic.4)
To achieve pindasana you need a nice tight lotus with the knees brought closer towards each other, the thighs almost parallel.  make sure your hips are over or preferably in front of your shoulders so that when you remove your hands you don't roll back down to the mat. Swing your arms around your legs and clasp your hands and ideally bind at the wrist

If your lotus is not tight enough to bind fully you may still be able to hold the thighs while you work towards tightening your lotus and deepening the fold.

The Twists (pictures 5&6)
Assuming your right foot is on your left thigh the first twist bringing the left knee to the right side of the head is less challenging than bringing the right knee to the left side of the head due to the way the legs are folded.

Start with the twist. Twist at the waist to the right on the exhalation, stay for three breaths. then, on the next exhalation, twist a little further to the right while at the same time lowering your left knee towards your right ear. Stay for three breaths.

Pratkriya (pic.7)
The final posture of the subroutine, Sarvangasana padmasana (pic 7) is the Pratkriya (counterpose ), bending the waist backward to counter the forwards bends.

Move the hands to the hips with the fingers facing forward over the hips and the thumbs pointing towards the spine.

In the beginning bring the chest further over your head and then arch back just a little at the waist on the inhalation and then come back to vertical on the exhale, arch the back a little further on each inhalation as you become more confident.

Use the bandhas to keep stability, engage mula bandha strongly by drawing up the anus, draw the belly in and up and engage the chin lock.

Stretching up out of the hips as much as possible in this position by expanding and lifting the chest, push the hips upwards.

To return. point your lotus up on the exhalation, slide your hand back into the regular shoulder stand position with the finger pointing upwards, when vertical allow your hips to open which will bring the knees further away from each other bringing the feet down the thighs and out of the bind.

Exploring Baddha padmasana & yoga mudra options

Although baddha padmasana, p198 of the Lotus sequence in Ramaswami's Complete book of Vinyasa Yoga, only gets three diamonds ( representing the degree of challenge), I know, from my own experience, that it's a posture that can be quite challenging. The difficulty comes with that bind, getting the second arm around and grabbing the toe securely enough to be able to fold into yoga mudra.

The video below shows some of the options available.

0.00  Overemphasising the entry into baddha padmasana
1.13  yoga mudra
2.07  Rear view
3.22  Rear view of cheat (sliding one arm between the other arm and back).
3.55  Less tight lotus option
5.25  Half lotus option
6.37  Crossed leg option
7.27  Standard lotus for pranayama and meditation



I've overemphasised the action to try and make what I'm doing clearer. My first lotus is pretty tight but later on I show it's possible even if you can't manage that tight a lotus.

Tips

Get into the lotus and then lift up a little and push your backside back to sit further forward on your sit bones,

Really lift out of your pelvis (sit tall) in a similar way to how we approach the tadasana sequence. If it helps raise your arms over your head, link your fingers and stretch.

Approach the twist to grab the toes as you would one of the extreme marichyasana twists in Asymmetric sequence.

Engage uddiyana bandha ( suck in your belly) as you fold into yoga mudra, this will give you more space and help you to keep hold of your toes.

If you cant manage full lotus try half lotus or just having your legs crossed, reaching around and grabbing the hip bones rather than the toes.

Try whipping the the second arm around your back to catch the toe

Slip your second arm between your back and binding arm and shuffle it further and further through to reach your toe.

Put hand towels or bandanas around your feet and hold on to them rather than your toes.
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Ramaswami suggests 3-6 long inhalations and exhalations for both baddha padmasana and Yoga mudra
and that you may practice all three locks, mula, uddiyana and jalandhara

Vinyasa Krama Lotus sequence Speeded up x 4

This is the last of the big six sequences from Srivatsa Ramaswami's Complete book of Vinyasa Yoga, that I've videoed and speeded up. I practice them on alternate days, Lotus on Friday. The full sequence takes me around around forty-five minutes but that includes, what Ramaswami refers to as the 'Lotus special balancing postures' at the end. You could leave these out if they're too challenging and go into a regular headstand, Savasana and Pranayama. They include a Lotus Mayurasana, Urdhwa Kukkutasana's, Lotus headstands, Padma Pincha Mayurasana and I throw in a Karandavasana for luck. Apart from those tricky ones at the end if you can manage lotus then it's not too difficult a sequence, to get through.... to do well is another matter, I need a lot more practice with some of these, but hey, show me an asana that couldn't do with another ten years work.

Ramaswami preface's the Sequence with this.

'The lotus posture (padmasana) is considered by conventional yogis to be the most important seated posture. Mention of this posture can be found not merely in old yoga texts but also in epics and other very ancient Indian religious and cultural books'. p189

In other words, it's old school.

The first time I did this sequence I had to take a lot of breaks to stretch out my legs, now I can do it in one go. The half lotus variations make excellent prep for the main pose and the variations after that keep it interesting. There are forward bends, twists, backbends, shoulder stands and headstands. Forty minutes in lotus, that's a respectable seated meditation practice.

As usual, I need to mention that this is my version of the sequence. I'm still getting used to it and miss things out and get the order wrong. While editing I realized I'd missed out Padma Mayurasana, one of the coolest asana in this sequence and had to go upstairs, record it and edit it in. Trouble was I'd just eaten breakfast, you really don't want to practice this posture on a full stomach. So, no substitute for Ramaswami's book.

As with all these sequences I tend to practice them after some Sury's and standing poses. I used to use a pretty standard Ashtanga Standing sequence but recently I've been using the 'On one leg' sequence from Ramaswami's book. Depending on whether there are any Shoulder stands and headstands I'll do a standard Ashtanga finishing. The Lotus sequence includes both but I tend to like to finish off with a five minute savasana and a ten minute headstand to stretch out my legs before going back into lotus for Pranayama.

One thing I do miss out here is going up to headstand from lotus. Can't for the life of me seem to manage that, very tricky. Padma Pinch Mayurasana is in the sequence, Karandavasana isn't. I added it anyway but probably shouldn't have bothered, I'm all squished up and the exit is horrible, need to start practicing it again.

The straight leg jump through pretty much came off alright again. It's really hit and miss. In my evening Primary I need a couple with my hands on books and then I'm pretty much OK with them throughout the practice. Every now and then though I completely lose it and just can't jump through, very strange, have to do another couple with the books to reset.

Vinyasa Krama Lotus Sequence,Some favourite asanas

Starting my week on Sunday. Gives me more time to work through the new sequence with Ramaswami's book. This week it's the Lotus Sequence. It was my favourite last time around.

A most meditative sequence but none the worse for that. I'll look at it in more detail later but just wanted to throw out a couple of things from yesterday.

Vinyasa Krama, bit boring after Ashtanga? Can see why you might think that but not at all, it's just different. There are still some crowd pleases in there, they're just scattered about rather than strung together in one series.

Padma Mayurasana for instance. Some improvement here from September.

Word of warning with this. If your familiar with Mayurasana and decide to give it a try then be sure to remember that you have less of a counterweight with your legs folded. First time I tried it I ended up grinding my face into the mat.

It's coming on. Same with the standard Mayurasana you tend to lose control as you try to stretch it and get your head up. Would love to see a picture of Swan neck girl doing this one. Exit is rough on the first one but better on the second.

Oh and if you think Karandavasana is tricky (which is in this sequence by the way) then try sitting in lotus and then taking it up into headstand! Tried three times yesterday and not even close. The idea is to, while in lotus, put your head on the mat with your hands around the head as in your usual Sirsasana, then your supposed to bring the knees in as close to your body as you can, engage the bandhas and take it up........ in theory.

more on this later.

However, Urdhwa Kukkutasana is in there too just before all the Padma Sirsasanas, so for now I'm lifting up into that and then going down into headstand that way (re 3rd ) then bringing the hands back to normal Sirsasana position. After the headstands I take the hands back to Pincha position for Karandavasana. Seems to work well.

UPDATE

Just read the last paragraph and realized I can't help myself, still trying to make one asana flow into the next. What I should be doing is lowering back down after Padma Sirsasana, take a couple of breaths in lotusto collect myself, then see about Padma Pinchamayurasana. I think the Urdhwa kukkutasana entry is ox until I manage to work out this lift, either that or I can shuffle the knees up on to the backs of my forearms and raise the duck, kinda karandavasana in reverse.

Vinyasa Krama Lotus Sequence, favourite asanas

The lotus sequence is quickly becoming my favourite. For one thing it has a bit of everything, twists, backbends, shoulder stands, headstands, for another, it has five of my favourite new asanas from Vinysas Krama.

Here they are in order of preference.

5. Padma Mayurasana

This would probably be my second favourite if I could get my lotus up higher or at even a bit straighter. Was disappointed when I saw the picture, it felt better than this.

Thought it was better today, but not that much when I see them next to each other.

4. Padma Pratikriya

Likewise this one, which again feels great when your doing it and felt much more horizontal that in the picture. Checking the name I've just notice the hand position and mine are all wrong, I've still got them in Shoulder stand position and this is stopping me lowering my lotus any further. In the book the hands are turned outwards with the fingers coming around the side. Come to think of it I think Steve made a point of this in one of our lessons.

Had a bit more success today.

3. Supta Padmasana

This just feels great. You can't see in the picture but my hands are linked palms facing outwards.

2. Padma bhujangasana (Lotus Cobra pose)

Think I was told that this was Krishnamachaya's favourite asana. Another wonderful stretch, why does it feel so good to stretch in Lotus.

1. Bhadrasana (peaceful or auspicious pose )

Love this so much that I've added it to my daily fixed practice and do it everyday before Pranayama. The hands can be further up the thigh or closer to the knee. Gives a really nice stretch to the back and is great for practicing all three bandhas.