Showing posts with label Pranayama chanting meditation. Show all posts
Showing posts with label Pranayama chanting meditation. Show all posts

Wednesday, 1 February 2012

Mantra Pranayama -Newsletter from Srivatsa Ramaswami February 2012


Newsletter from Srivatsa Ramaswami---Mantra Pranayama

After a four month stay in Chennai, India I am planning to come to USA
by middle of February. Thanks to the good efforts of Roxana Letechipia
who attended my last Teacher Training Program at LMU, Los Angeles, I
will be teaching three programs in Mexico City during the last week of
February. There will be two weekend workshops and a week long
certificate program, “Core Vinyasa Krama Yoga”. My next newsletter may
have a few Spanish words.

MANTRA PRANAYAMA

Considerable amount of literature is now available on Pranayama (from
ancient and contemporary yogis), an important anga of Yoga, even
though a smaller and smaller number of Hatha yogis do a smaller and
smaller number of pranayamas. In fact according to Brahmananda who
wrote an important commentary of Hathayogapradeepika, Hatha yoga is
indeed Pranayama. Patanjali in his Yoga Sutras succinctly gives the
parameters of pranayama along with the benefits. Hathayoga pradeepika
and several other hatha yohga texts talk about a variety of pranayamas
with different ratios in considerable detail and as I said enough
literature is available on pranayama. However since it is also the
anga prior to the antaranga or meditation, parts of yoga pranayama has
been used to prepare oneself for meditation. If in pranayama you can
introduce some noble thoughts for meditation like an uplifting mantra,
bhava thought or an image such pranayamas are called sagarbha
pranayama or pranayama pregnant with lofty ideas. Sri Krishnamacharya
in his “Nathamini's Yoga Rahasya” says that sagarbha pranayama is
several times more beneficial; more than the mechanical pranayama done
generally by hatha yogis.

Sagarbha pranayama done with pranayama mantra from the vedas, which
also includes the potent gayatri as a part of it, has been in vogue
since the vedic times. Sri Krishnamacharya in his yoga work
“Nathamuni's Yoga Rahasya” gives a number of instructions for doing
pranayama towards the end of the first chapter. He commends the use of
Pranava and the pranayama mantra with gayatri while doing pranayama
practice. Usually pranava (OM), the most potent mantra and the mother
of all mantras, as a stand alone mantra is used by renunciates like
consummate yogis and advaitins. And the gayatri impregnated vedic
pranayama mantra is used by householders and others in all pranayama.
In fact Manu in his famous Manusmriti says that the pranayama mantra
which consists of prnava, the seven vyahritis, the gayatri and the
head or siras portion should be recited while holding the breath in
Kumbhaka three times to be called as pranayama. Sri Krishnamacharya
also emphasizes the need to meditate on the meaning of the mantras
like the suggestion of Patanjali in YS.

Most people who do ritualistic pranayama in India use the pranayama
mantra referred to earlier. Manusmiti says as follows

“sa vyahritim sa pranavaam
gayatriim sirasa saha
trifpateth ayataf pranah
pranayamassa uchyate

Here is the translation“Pranayama is that in which the seven vyahritis
(bhuh bhuvaha...) each preceded by pranava (OM) then the gayatri, then
the siris are (silently) recited.”

It should be chanted (silently) while holding the breath (kumbhaka).
When it is done three times it is called panayama. The pranayama
mantra is 64 syllables and takes about 20 seconds to chant, more or
less. The verse quoted above says three times and some interpret it as
chanting the mantra three times while holding the breath, but
generally it is chanted once and three such pranayamas will make one
bundle of pranayama. If you try to do the chant thrice in one go it
would taken a minute and holding the breath for one minute could be a
real challenge to most and so most people stick to the earlier
option.

What about the duration for inhalation and exhalation? Sri
Krishnamacharya says in Yoga Rahasya that it should be vishamavritti
indicating that the time duration for inhalation exhalation and breath
holding would vary. So many go by the 1:4:2 ratio.

One may inhale for 5 seconds then chant the mantra during internal
holding for 20 seconds and then exhale for 10 seconds. The breath
holding after exhalation is considered a hathayoga practice and many
orthodox people who do pranayama as part of the Puja or Japa ritual
dispense with bahya kumbhaka and the bandhas. The quickie pranayama is
three times but it is recommended that on should do 10 times the
samantra pranayama.  (Contrast this with the hathayoga approach of
going up to 80 times mantraless pranayama).

Since children sometimes as young as 5 were initiated into vedic
studies, it becomes obligatory for them to do sandhya and hence mantra
pranayama and silent gayatri chant. But then because they are young
they may not be taught to do calibrated pranayama. Usually in course
of time they would learn to do long inhalation and exhalation say in
nadishodhana. Later they will be taught the whole vishamavritti
pranayama as explained earlier.

So the mantra is chanted silently in pranayama. But most people just
chant the mantra without the pranayama--they may merely touch the nose
but not do the pranayama. So we have one set of people who do
pranayama without mantras as most hatha yogis do and another group
especially in India who chant the mantra faithfully but do not do the
prnayama at all and thus both lose out. It even led the much revered
previous Sankaracharya of Kanchi to remark that if only Indians would
hold the breath (kumbhaka) rather than just touch/hold the nose they
would all become great yogis and spiritual persons.

My Guru also said that when doing any mantra in japa, in pranayama or
meditation, one should think of the meaning or import of the mantra.
That makes it lot more powerful and meaningful. What does this mantra
signify, many times we get initiated into a mantra routine without
knowing what it means. All yogis know that Patanjali insists on
contemplating on the meaning of pranava when doing pranava japa to get
the grace of Iswara.

Om Bhuh, om bhuvah, om suvah, om mahah, om janah, om tapah, om
satyam; then the gayatri and then the siras which runs like this, ”om
apah jyoti rasah amrtam brahma bhurbhuvassuvarom” is the pranayama
mantra. This mantra appears in Mahanarayana Upanishad, the last
chapter of Yajur veda. This upanishad also contains several beautiful
mantras used on a daily basis like the offering to the five pranas
(before taking food), meditating within the heart etc. I got the whole
chapter (about 45 minutes of continuous chanting) recorded some 25
years back by “Sangeetha” and I believe it is available in some stores
in Chennai, India. You may learn the pranayama mantra—visit my website
www.vinyasakrama.com/chants and click on the “Learn Pranayama Mantra
chant” tab.

So what is the meaning of this wonderful pranayama mantra? Again there
are different interpretations. The conventional meaning for the seven
vyahritis is seven different worlds starting with the world we live in
to six other higher worlds. But the word loka is interpreted in a more
esoteric sense by a few scholars. They say that the words loka and
look are derived from the same root . And the seven lokas are the
seven perceptions of the ultimate reality which is Brahman the pure
non changing consciousness.

So this approach which gels with the advaita philosophy would be as
follows: According to the Upanishads, Brahman in its pristine state is
alone and there was no time or space (aksha and avakasha) in
contention. The Brahman once thought that it should become many
(bahusyam praja yeyeti). Then in the next stage It deeply contemplated
as to how it should create the universe and make many microcosmic
individual consciousness. This state was known as the stage of tapas
of the Brahman (sa tapo tapyata). Then after deep contemplation and
planning It created the entire Universe (idam sarvam asrujata). After
this creation the Brahman entered and permeated the entire Universe
(tat eva anupravisat) and every being as the individual Self.

The seven vyahrutis are considered as representing the seven states of
the same consciousness four at the microcosmic level and three at the
cosmic level. So when doing pranayama during breath holding
internally, one would say 'om bhuh', contemplate on the consciousness,
represented by pranava or 'om during the waking state. Then as the
second vyahriti 'om bhuvah ' is recited, one would think of the same
consciousness being aware of the individual dream state.

'om suvah” would refer to the same consciousness witnessing the deep
sleep stage. Om mahah, the fourth vyahriti is the consciousness beyond
the three earlier mentioned known amongst the vedantins as the fourth
state of the mind (turiya) or the yogi's kaivalya state. The same
consciousness now is identified with the Brahmana that created the
Universe (Om Janah). Then the next mantra, the sixth “Om tapah” would
represent the Brahman as one deeply contemplating and finally the
pristine state of consciousness “Om satyam” the one and only Brahaman.
With this the abhyasi is able to identify and meditate upon the same
one Brahaman as seen in different states. The theory that there is
only one consciousness that exists both at the cosmic and at the
microcosmic level is the bedrock of the advaita (No two
conciousnesses) viewpoint. So an advaitin while doing pranayama is
able to reinforce the advaitic conviction.

Then the second part of the pranayama mantra is the gayatri mantra. It
again refers to the ultimate reality as the inner light. Just as the
sun with its lustrous orb lights the entire world, the Brahman/Self
lights the entire chitta or the internal world of the meditator, so
that the chitta vrittis are experienced or 'seen' in the mind's eye .

The last portion known as the siras or the head, is an encomium to the
ultimate Brahman. It refers to It as OM., pure consciousness, the
universal light, the essence of the entire Universe, immortal
(unchanging), the source of the universe, and is known to the
individual as the inner Self during the three states of waking, dream
and deep sleep.

This meaning of the pranayama mantra is vividly brought to the mind as
the pranayama mantra is recited silently during antah kumbhaka. Then
it is known as samantraka or sagarbha pranayama. According to Manu
this samantra pranayama is the greatest Tapas/meditation.

It is said that those who are well versed in the chakras are able to
identify the seven vyahritis with the seven chakras in the body using
the respective bijakshara or seed mantras. Some make an effort   to
visualize the cosmic Brahman  in the seven chakras in the microcosm
itself.

There are other types of mantras used. For instance saivaites tend to
chant the siva mantras as they hold the breath as mentioned in the
Tamil Saiva classic “Tirumandiram”. The mantra “sivasiva” of four
syllables is chanted 16 times during one breath hold corresponding to
64 syllables as in the pranayama mantra referred to earlier.

Here is a pranayama for renunciates:

While doing puraka or inhalation the thought would be that the entire
universe is ultimately drawn into the Brahman. Then while in
antahkumbhaka the contemplation would be that the outside Universe and
I are no different from the Brahman. Then while exhaling the ego “I'
with the entire Universe is discarded as nothing but an illusion, not
real, not significant. And in bahya kumbhaka one would contemplate
that pure Brahman alone is real, It alone exists.

Those who believe in the reality of world and the trinity (Brahma,
Vishnu and Siva), would use pranayama to reinforce their faith.

Inhaling through the left nostril one should think of the four faced
Brahma the creator aspect of the trinity and of blood red hue (rajas
guna) while chanting Om 16 times. Then closing both the nostrils  and
holding the breath in  kumbhaka one should think of the white colored
(satva guna) Hari, the protector/sustainer chanting pranava 64 times.
Then while exhaling through the right nostril one should meditate on
Siva of dark color (tamo guna) chanting pranava 32 times. Then one
should start inhaling through the right nostril for 16 matras chanting
pranava 16 times and continue the pranayama for a predetermined number
of times with both mantra and bhava.

Different smritis and very old yoga texts refer to a variety of
pranayamas with and without mantras. Almost all the puranas have a
section on yoga which describe different asanas and pranayamas. (I
think with all this evidence one may say with some conviction that
Yoga is more than 100 years old). For more information on pranayama
you may consider referring to my book “Yoga for the Three Stages of
Life” pages 189 to 211.

Sri Krsishnamacharya's Yoga teachings were unique and very rich. In
Vinyasakrama asana practice, breath synchronization with slow
movements is an essential element. One would start the movement with
the beginning of inhalation or exhalation and complete the movement
with the completion of that breathing phase. The time taken in actual
practice may be between 5 to 10 or 12 seconds depending on one's
capacity and control. If it goes below 5 seconds one would stop the
practice and rest to regain the vinyasa krama acceptable breath. My
Guru, Sri T Krishnamacharya would say 'breathe with hissing sound' (a
la cobra, refer to ananta samapatti in YS) or 'with a mild rubbing
sensation in the throat'.

In this way, with long deep inhalation and exhalation, the intercostal
muscles are stretched and toned up and by the time pranayama is
started the accessory muscles of breathing are well exercised so that
one has a well oiled breathing apparatus for a very productive
pranayama practice. And while doing pranayam introduction of mantras
and bhavas helps to bring the mind to a focus which will be of
considerable help when one starts the meditation process. Thus Sri
Krishnamacharya following the tradition of yoga described in old yoga
texts like the yoga sutras, the puranas, smritis and other ancient
texts helped to understand and achieve the best of an outstanding
ancient system called Yoga.

You may access the earlier Newsletter by visiting my website
www,vinyasakrama.com and clicking on the Newsletter tab. Any comments
or suggestions please e mail to

Best wishes

Sincerely
Srivatsa Ramaswami

Saturday, 20 August 2011

Chants for daily practice

I was asked about chanting in my own practice.

Here are the main chants I use in my daily practice. These are probably the only ones I really know by  heart as they are my favourites. Others, along with the Yoga sutras I might chant, particularly on my day off but with the aid of a book or chant sheets

Click on the titles to link Ramaswami chanting and teaching them


BEFORE PRACTICE

YOGA PRAYER in two parts ( I tend to chant I and II together at the beginning of my yoga practice )


Ganesha prayer 
Aindu karattanai
Aanai muhattanai
Indin ilampirai pondra eyitrinai
Nandi Mahandanai
Jnaanakkozhundinai
Pundiyil vaittadi potruhinrene
(In tamil)


II Patanjali prayer (divided into three sections below)
Yogena cittasya padena vacam
malam sarirasya ca vaidyakena
yopakarottam pravaram muninam
patamjalim pramjaliranatoshmil


Abahu purusakaram
Samka cakrasidharinam
sahasra sirasam svetam
pranamami patanjalim


Srimate anataya nagarajaya namonamah
Asmadacaryebhyassarvebhyo namonamah

Translation (from Ramaswami's TT course)
Ganesha prayer
Him who has arms five
Whose face is that of an elephant
Whose single tusk equals the charm of the crescent moon, 
Who is the offspring of the Blissfull Lord
Who is wisdom overflowing
I worship (by) keeping His feet 
Inside my consciousness (mind)


Patanjali prayer
Through Yoga, of the mind, by grammar of language
Through medical science the dross of the body, 
The one who eradicated, to Him of the lineage of sages,
To Patanjali I remain offering my salutations


Upto the shoulders, with a human form,
Holding a conch, disc and sword,
With a thousand heads and white (pure),
I bow to that Patanjali


To the auspicious Ananta, the King of naagas (cobra) community, I bow
To my teachers all I bow.

PRANAYAMA

Pranayama mantra  ( I chant this one mentally while retaining inhalation)

om bhuh om bhuvah omm suvah
om maha om janah om tapah omm satyam


on tatsavitur vareniyam bhargo devasya dhimahi
     dhiyo yonah pracodayat


om apo jyoti rasyo'amrtam brahma bhurbhuvassuvarom


Translation
This is the complete form (or long form) of the Gayatri Mantra.

The first section contains an invocation to the seven spheres,

AUM, the primordial sound, resides in all elements of the universe. It permeates the earth (-bhUH), water (-bhuvaH), fire (-svaH), air (-mahaH), ether (-janaH), intelligence (-tapaH) and consciousness (-satyam). 

This is followed by the traditional, most commonly chanted, mantra .

We pay homage to Gayatri, the one who shines like the sun (tat savitur), the one who destroys all our sins through her everlasting and effulgent light. Dear Goddess Gayatri, please illuminate our path towards our higher consciousness and lead us to our true purpose in life.

The final part of the mantra is an invocation to the Goddess of light to illuminate our path as we move towards higher consciousness.

Please shine your light (-jyotiH) in our path so we may partake of the everlasting nectar (rasomRRitaM) of brahman while chanting the primordial sound, AUM!

I've borrowed from THIS excellent site for this translation.

MEDITATION


Short popular mantras ( choose one and stick with it for meditation with a mala )

1. Om sivaya namah
2. Oom namassivaya
3. Om hrim namasivaya
4. Om namo narayanaya
5. Oam namo bhagavate vasudevaya

END OF PRACTICE

Peace chant ( I chant this at the end of my yoga practice )

Om saha navavatu
saha nau bhunaktu
saha viryam karavavahai
tajasvina vaditamastu
    ma vidvisavahai
Om shanti shanti shanti

Translation
Om, Let both of us protect each other together
May both of us enjoy together
May both of us work together
Let our study become radiant, let there be no hatred between us
Om, Peace, Peace, Peace.

See Ramaswami's chanting page for more chants as well as for learning to chant the first chapter of the Yoga Sutras.

In Yoga beneath the surface, David Hurwitz asks Ramaswami if we should be chanting in Sanskrit if we are not Hindus and come from another religious background. Ramaswami responds;

 '...if a person has a strong religious disposition, it is best to stick to one's own religious practices, as switching to a different religious practices could create considerable conflict. In fact Lord Krishna  says in the Gita that one should not create religious confusion in others ( na buddhi bhedam janayeth)... But if a person has no religious moorings, then if he/she likes other chants, such as Sanskrit chants or prayers or hymns, he/she may take advantage of it'. p164

Friday, 5 March 2010

Pranayama, Pranayama, Pranayama

Practice has been going well the last couple of weeks, a lot of progress especially in the back bends department. I seem to have settled back into Vinyasa Karma practice and haven't practiced Ashtanga for over two weeks now. I expected to miss it more, but so far not really, perhaps It's the new approach, a week on each VK sequence rather than switching sequences daily. I don't seem to have put on weight, had thought that I might given that I'd dropped all those jump through's and the generally sweatier practice. Still feel strong, lots of handstands still in the Sury's, but I should do a Primary after a month to see if I can still get through it. But so far so good.

While the asana progress has been exciting what I'm finding most interesting at the moment is my Pranayama practice. Being off work for a couple of weeks I have more time to spend on exploring it. Before (old video here, it's changed a bit since then and I stumble less over the mantra but you get the idea and that's the same mantra at the beginning that I chant in my head during the long retention), I was spending ten minutes after practice and another twenty minutes in the evening, now I'm spending twenty to thirty minutes after practice and another forty in the evening.

I'm starting to notice some of the subtle and not so subtle differences. The difference for example between Pranayama with both nostrils and alternating (nadi sodana). I noticed that I was getting nice and relaxed in 1.4 breathes a minute with a ratio of 1:4:2:1 (around 5 seconds inhale, 20 retention, 10 exhale, 5 inhale) but when I switched to alternating nostrils I became a little agitated. It's strange your still exhaling the same amount of air in the same amount of time but you have to force yourself not to panic a little. Then, of course, you have that five second retention after the exhale while you engage the bandhas and before Inhaling. Using both nostrils is fine, but again, alternating, inhaling through just the one, makes you very uneasy, your almost desperate to inhale and ready to gasp the air in. Need to be very mindful here, trust the body.

Found this practice useful for Kapo and the 'Hang' in dropping back. I always had trouble breathing with my head back, the constricted airway, but it's the same as one nostril, the agitation. You just have to trust yourself and the breath more and stay calm, relaxed and breathe steadily. Pranayama practice trains you for this.

Big difference too when you practice Kapalabhati ( the kind of panting bellows breathing) I've practiced this for quite a while at the end of Ashtanga, 36 breathes in Padmasana, 36 in utpluthi and then another 36 after coming back down with my arms raised and hands crossed on my shoulders, but for some reason I've only been practicing it at the end of my asana practice as a lead in to Pranayama, I haven't been practicing it in the evening session. Tried it last night and it makes a big difference, immediately nadi shodana Pranayama becomes more relaxed and steady.

Next week I want to try and reintroduce Viloma Ujayai. I gave up on this a while ago because it was too complicated and I was getting confused. Now I have the Pranayama iphone App I don't have to worry about the counting anymore and can focus on the switching.

Viloma Ujayai

INHALE : Throat
EXHALE : left nostril
INHALE : left nostril
EXHALE : throat
INHALE : throat
EXHALE : right nostril
INHALE : right nostril
EXHALE : throat

repeat

I'm still using the Pranayama iphone App, totally reliant on it now. Had planned on using it to get the timing fixed in my head and then turn it off but now I just set it for thirty or forty minutes on low volume and let it run in the background. In the 20 second retention after the inhale I'm still using the Pranayama mantra, have come to rely on this too.

Here's a video of me using the App to give more of an idea what I'm going on about. Given that it's akin to watching grass grow, paint dry etc. I've edited it down to a couple of rounds each. It's still a rough practice and something I'm looking forward to tidying up and developing on the course this summer.

After my Pranayama practice I spend half an hour or so on chanting. I have Ramaswami's Yoga sutra lessons on my itouch and tend to chant along to them plus a couple of the other mantras. then settle down to half an hour to forty minutes meditation. I used to practice Vipassana but after the Pranayama and chanting not a lot is coming up so I pretty much just focus on the breath at the nostrils to start and then settle in on the inhale and exhale, but not focused at any particular point, really nice practice.....but how did those old yogis get by without an itouch.

Wednesday, 28 October 2009

Exploring Pranayama

This is just a post about my own evolving Pranayama practice, for a more detailed treatment try here.

Last time I posted on Pranayama (excellent just worked out how to do the link thing on blogger) it was Viloma Ujaii, the alternating nostril/throat technique and Kapala bhati, the panting fire breath thing.

This time it's Kumbhaka (retention) Pranayama. I think this is my favourite, the alternating nostrils techniques become confusing (although I still do it for five rounds or so), I find it hard to keep the count and for an extended period my arm gets tired (ahh bless). This is a much simpler but arguably more intense version.

You breathe in and retain the breath, you breathe out and hold the exhale then repeat. That's pretty much it.

It becomes interesting when you start slowing the whole thing down, long, slow steady inhaling and exhaling. I started off with a count of 5:5:7:5 inhale,retain,exhale,retain and now it seems to have settled on 10:7:10:10. I can't seem to even up the inhale, after breathing out so slowly and then retaining the breath, the first part of the inhale is a little fast. Supposedly the retention after the exhale should be a little less than after the exhale, tried it and it evened up my inhale. now its 10:10:8:10

It gets very interesting when you bring in the bandhas and this is why it's my favourite. I've been focusing on Intermediate lately and it just doesn't feel as grounded as Primary, less seated poses I suppose, which I find are the most comfortable for engaging the bandhas. It used to bug me but now I know I'll be doing this at the end of the practice, so I'm much happier.

This is how I approach/experience the bandhas. Towards the end of the exhale (2/3) I let myself become aware of the slight lifting sensation of moola bandha I begin to focus on it and intensify it, drawing it up. As it gets as 'raised as it's going to get uddiyana bandha has begun to become slightly activated, my lower abdomen drawing back towards my spine and up.

This next bit is an added extra . At the end of the exhale I draw my abdomen all the way up creating a cave beneath my ribs and then draw in at the sides as if I were about to perform Nauli Kriya (which I do last few breaths on the video). I tend to hold it for a count of five and then slowly relax it in readiness for the inhale.

It's much harder doing the whole nauli thing when your seated, as opposed to standing and bent over with your hands on your knees. After a few breathes it starts to become a little easier though.

At the moment I'm spending about 15 minutes on pranayama, a couple of minutes on kapala bhati, about five rounds of Viloma Ujaii and the rest of the time on this.

Anyway that's how I'm approaching it at the moment, obviously you wouldn't do this after eating or drinking anything.

Why do it? I love the focus and concentration involved in this. You get much more in touch with the whole bandha thing enabling you to employ them more effectively in the asanas, seems to have been a great help for karandavasana and of course the jump back and jump through, Bakasana B is another that comes to mind. I also find it very calming and use it throughout the day, though without the full uddiyana and with a lighter ratio.

When I do it at work I just sit up straighter with my legs wider as if I'm trying to ground my perineum more and then off I go, though with a much quieter Ujaii to avoid attention.

It's still very much work in progress but as I've said before I'd rather drop a couple of asanas from the series if I'm rushed (though not from finishing) than cut back on the Pranayama. Meditation I might cut back to five minutes followed by the Pranayama chant, then do a proper seated meditation and chanting when I get home but I'm finding I want to do more Pranayama rather than less.

Tried to catch the sound of my breathing but mostly caught the sound of the plumbing (no that's not my stomach rumbling ).

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