Showing posts with label asymmetric. Show all posts
Showing posts with label asymmetric. Show all posts

Saturday, 5 November 2011

Day 35 Asymmetric subroutine breakdown

VIDEO LINK


Day 34 : Matsyendrasana ( half and full Kingfisher) subroutine practice notes from Vinyasa Krama On one leg sequence

Day 29 : Eka pada sirsasana ( leg to head ) subroutine practice notes from Vinyasa Krama On one leg sequence


Practicing Asymmetric Subroutines
This was for a long time my favourite sequence of subroutines from Vinyasa Krama, it was familiar enough to a large section of the Ashtanga Primary series I was familiar with and yet encapsulated all I came to love about Vinyasa Krama. I loved how postures would grow out of the ones that had preceded it, developing and extending a theme. Without the Jump back that comes between each posture in Ashtanga I felt as if I was settling ever further into alignment and could relate the subtle differences of the postures of the subroutine more within my body. I liked how you would enter a posture gently, exit and then enter again a little more deeply and how you would then stay for a longer time  sinking deep within the pose. The effect of the Asymmetric subroutines when practiced together is cumulative, it is advised to practice all the postures on one side as opposed to switching sides after every pose. Both approaches have their benefits but there's something, if not hypnotic, then certainly meditative about the flow of these postures one into the other. What else struck me powerfully was how the ground for more challenging postures, the leg behind head poses say or purnu matsyendrasana, was being prepared, this is perhaps even clearer in the Lotus sequence where we're led through some of the same Asymmetric subroutines we find here towards full lotus.

However this is a long sequence when practiced together, ten subroutines that need to be practiced on both sides, practiced slowly, mindfully it can well over an hour to practice them all.

In my daily practice I like to include an asymmetric subroutine or two before seated subroutines.

As a rule I tend to save the mama mudra subroutine for late in my practice perhaps just before badha konasana from Seated, I like to stay in mama mudra for quite some time before settling down to pranayama

Whenever I practice leg behind head postures whether in Ashtanga or Vinyasa krama I always include the archer and heron subroutine from Day 28

Here's Ramaswami from this months newsletter writing about how the Asymmetric sequence and subroutines work the full range of movement of the hip joint.

'Yoga, especially vinyasakrama yoga, tends to work with almost all the articulation of all the joints especially the ankles, knees, hips, the spine and arms. Take the asymmetric sequence, in which one leg is kept in one position and the other leg kept in several positions, and in each subroutine several movements are done. Take for instance Marichyasana, the hip joint is kept in one position in which the inferior bone of the joint, the femur, is kept in the fixed position of Marichyasana and all the
vinyasas are done by which the superior bone structure viz. the pelvis is moved around and manipulated. In other words, the ball in the socket is kept stationary and the socket is moved around. When you move on to the next subroutine, mahamudra/janusirsasana, the femur head within the socket takes a different stationary position and in the vinyasas the pelvis is moved around. In the third subroutine, the half lotus, the femur head position is again altered, but keeping it stationary a number of movements are done in the subroutines— akarnadhanurasana, kraunchasana, ekapadasirsasana, vajrasana, matsyendrasana, bharadvajasana and any others-- in which the pelvis is moved around. In fact in the series of vinyasas within those asanas, all the possible movements of the marvellously engineered hip joint are done in a short time giving a complete treatment for the hip joint.'

Friday, 4 November 2011

Day 34 : Matsyendrasana ( half and full Kingfisher) subroutine practice notes from Vinyasa Krama On one leg sequence

VIDEO LINK


Ardha masyendrasana ( half kingfisher ) is relatively straight forward and a lovely posture but the full Kingfisher pose is challenging.

Getting into Purna Matsyendrasana

This is my current approach.

We need a high, tight half lotus. I take my right leg back, rotating the femur head as far back as possible in the hip socket, similar to archer pose but without bringing the foot to the ear.

I like to have my heel to the right of my belly button before rotating the femur back around, bringing my knee back to centre and my foot big up above the groin, still keeping the heel close to the belly button.

Let the right leg and knee settle on the mat then, and here's the trick, lift up a little and lower slightly on the right of the right sit bone.

Take the left foot over the knee, the knee will be half way up the foot, you kneed to have it braced enough that it doesn't pop out of the bind later.

Bring the left knee over, now here's another trick, stretch up out of your pelvis, engage uddiyana sucking in your belly, the space made will allow your foot to point upwards allowing your knee to come further over.

At the same time fill the chest on the inhalation as you bring your knee over, almost holding the knee in place with your chest as you reach behind the knee bringing your right shoulder as far to the outside of the knee as possible.

This should enable you to slide your arm down the leg and grab your left foot.

Settle yourself, open up your body to the side, look over your shoulder and reach around behind your back with your left hand and hold your right hip bone.

Now it's just a case of balancing the three opposing forces, your left knee wanting to open to the left, your right arm pushing your knee to the right but bringing but wanting to turn the body to the right and your left arm and hand on your hip turning your body out to the left.

When you get them all balanced and settle the great this really is one of the greatest of postures.

Below is  a link to a video I made earlier today that the above description is based upon http://youtu.be/vVSdO1RYMXU

Tuesday, 1 November 2011

Day 32 : Ardha-padma marichiyasana ( half lotus sage ) subroutine practice notes from Vinyasa Krama Asymmetric sequence

VIDEO LINK
This subroutine comes before Day 31's tiryng-mukha marichiyasana in Ramaswami's book and on the video link above, I missed it out from the practice sheets but will switch them back around when updating my book.

This along with Day31 and the next two subroutines are hybrid asymmetric vinyasas, each leg is in a different position, here the right in padmasana while the left is in marchi.

I find this half lotus version easier than the backward facing foot from yesterday, the lotus seems to give more stability when lowering my forehead to the mat in pic 3.

Notes for the half lotus are of course the same as in Day 26 but we're required to have a tighter lotus, the foot deeper into the groin to allow the other thigh to come up as we bring the opposite foot to our buttock.

Half lotus
See also Day 17 Vrikmasana for some notes on standing half lotus.

To get into half lotus : Bend the knee bringing it towards the chest, allow the knee to drop out to the side, key here is the natural rotation in the hip joint. Bring the foot close to the opposite thigh, hold your foot in one hand and the knee in the other and GENTLY encourage the roration of the ball and socket hip joint, bring the knee forward parallel with the floor towards the opposite knee and the foot further up the thigh and ideally, eventually, towards the groin.

CAUTION
You don't want to force this action, if you feel strain on your knee it may be better to practice tomorrows subroutine built around mama mudra with the foot against the thigh rather than on top instead. Practicing the maha mudra subroutine will bring half, and eventually, full lotus closer.

As yesterday, for the bind sit tall, stretch out of the pelvis and swing the arm around the knee on the exhalation. Search for the binding hand  as if you were trying to put your arm through the sleeve of a tangled jacket.

On the next inhalation stretch tall again up out of the pelvis to straighten and realign after the fumbling for the hand behind your back, then lower your forehead to the mat.

The same goes for the twist to look over your shoulder, sit tall and lift up out of your pelvis to create the space to allow for your body to twist.

Picture 6 is another variation of marchi, a very challenging reverse twist. It's not in Ramaswami's Complete Book of Vinyasa Yoga but if your coming from Ashtanga as I did it's a posture you might miss and slips into the subroutine nicely here.

To get into the reverse twist you need to have the foot on the floor slightly to the left of your left buttock and then tilt the knee inwards. Bandhas need to be engaged, mula to ground, uddiyana to give more space around the midriff. Sit very tall, lift up as high out of the pelvis as possible. Twist as far to left as your able and swing your right arm around your right knee, you'll need to dip your body slightly down to the left to bring the outside of your shoulder as close to the outside of your knee as you can. As you stretch around to bind your shoulder brings your knee over, half way around you come out of the dip and stretch up out of your pelvis again while twisting to look over your shoulder. There is a tendency to drop the left shoulder, you'll need to keep it high to be able to reach the left hand behind your back.

The reverse twist is challenging and can take sometime to master but many of the principles are the same as the upcoming purna matsyendrasana, another posture that we gradually work towards.

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