Wednesday, 1 February 2012

Mantra Pranayama -Newsletter from Srivatsa Ramaswami February 2012


Newsletter from Srivatsa Ramaswami---Mantra Pranayama

After a four month stay in Chennai, India I am planning to come to USA
by middle of February. Thanks to the good efforts of Roxana Letechipia
who attended my last Teacher Training Program at LMU, Los Angeles, I
will be teaching three programs in Mexico City during the last week of
February. There will be two weekend workshops and a week long
certificate program, “Core Vinyasa Krama Yoga”. My next newsletter may
have a few Spanish words.

MANTRA PRANAYAMA

Considerable amount of literature is now available on Pranayama (from
ancient and contemporary yogis), an important anga of Yoga, even
though a smaller and smaller number of Hatha yogis do a smaller and
smaller number of pranayamas. In fact according to Brahmananda who
wrote an important commentary of Hathayogapradeepika, Hatha yoga is
indeed Pranayama. Patanjali in his Yoga Sutras succinctly gives the
parameters of pranayama along with the benefits. Hathayoga pradeepika
and several other hatha yohga texts talk about a variety of pranayamas
with different ratios in considerable detail and as I said enough
literature is available on pranayama. However since it is also the
anga prior to the antaranga or meditation, parts of yoga pranayama has
been used to prepare oneself for meditation. If in pranayama you can
introduce some noble thoughts for meditation like an uplifting mantra,
bhava thought or an image such pranayamas are called sagarbha
pranayama or pranayama pregnant with lofty ideas. Sri Krishnamacharya
in his “Nathamini's Yoga Rahasya” says that sagarbha pranayama is
several times more beneficial; more than the mechanical pranayama done
generally by hatha yogis.

Sagarbha pranayama done with pranayama mantra from the vedas, which
also includes the potent gayatri as a part of it, has been in vogue
since the vedic times. Sri Krishnamacharya in his yoga work
“Nathamuni's Yoga Rahasya” gives a number of instructions for doing
pranayama towards the end of the first chapter. He commends the use of
Pranava and the pranayama mantra with gayatri while doing pranayama
practice. Usually pranava (OM), the most potent mantra and the mother
of all mantras, as a stand alone mantra is used by renunciates like
consummate yogis and advaitins. And the gayatri impregnated vedic
pranayama mantra is used by householders and others in all pranayama.
In fact Manu in his famous Manusmriti says that the pranayama mantra
which consists of prnava, the seven vyahritis, the gayatri and the
head or siras portion should be recited while holding the breath in
Kumbhaka three times to be called as pranayama. Sri Krishnamacharya
also emphasizes the need to meditate on the meaning of the mantras
like the suggestion of Patanjali in YS.

Most people who do ritualistic pranayama in India use the pranayama
mantra referred to earlier. Manusmiti says as follows

“sa vyahritim sa pranavaam
gayatriim sirasa saha
trifpateth ayataf pranah
pranayamassa uchyate”

Here is the translation“Pranayama is that in which the seven vyahritis
(bhuh bhuvaha...) each preceded by pranava (OM) then the gayatri, then
the siris are (silently) recited.”

It should be chanted (silently) while holding the breath (kumbhaka).
When it is done three times it is called panayama. The pranayama
mantra is 64 syllables and takes about 20 seconds to chant, more or
less. The verse quoted above says three times and some interpret it as
chanting the mantra three times while holding the breath, but
generally it is chanted once and three such pranayamas will make one
bundle of pranayama. If you try to do the chant thrice in one go it
would taken a minute and holding the breath for one minute could be a
real challenge to most and so most people stick to the earlier
option.

What about the duration for inhalation and exhalation? Sri
Krishnamacharya says in Yoga Rahasya that it should be vishamavritti
indicating that the time duration for inhalation exhalation and breath
holding would vary. So many go by the 1:4:2 ratio.

One may inhale for 5 seconds then chant the mantra during internal
holding for 20 seconds and then exhale for 10 seconds. The breath
holding after exhalation is considered a hathayoga practice and many
orthodox people who do pranayama as part of the Puja or Japa ritual
dispense with bahya kumbhaka and the bandhas. The quickie pranayama is
three times but it is recommended that on should do 10 times the
samantra pranayama.  (Contrast this with the hathayoga approach of
going up to 80 times mantraless pranayama).

Since children sometimes as young as 5 were initiated into vedic
studies, it becomes obligatory for them to do sandhya and hence mantra
pranayama and silent gayatri chant. But then because they are young
they may not be taught to do calibrated pranayama. Usually in course
of time they would learn to do long inhalation and exhalation say in
nadishodhana. Later they will be taught the whole vishamavritti
pranayama as explained earlier.

So the mantra is chanted silently in pranayama. But most people just
chant the mantra without the pranayama--they may merely touch the nose
but not do the pranayama. So we have one set of people who do
pranayama without mantras as most hatha yogis do and another group
especially in India who chant the mantra faithfully but do not do the
prnayama at all and thus both lose out. It even led the much revered
previous Sankaracharya of Kanchi to remark that if only Indians would
hold the breath (kumbhaka) rather than just touch/hold the nose they
would all become great yogis and spiritual persons.

My Guru also said that when doing any mantra in japa, in pranayama or
meditation, one should think of the meaning or import of the mantra.
That makes it lot more powerful and meaningful. What does this mantra
signify, many times we get initiated into a mantra routine without
knowing what it means. All yogis know that Patanjali insists on
contemplating on the meaning of pranava when doing pranava japa to get
the grace of Iswara.

“Om Bhuh, om bhuvah, om suvah, om mahah, om janah, om tapah, om
satyam; then the gayatri and then the siras which runs like this, ”om
apah jyoti rasah amrtam brahma bhurbhuvassuvarom” is the pranayama
mantra. This mantra appears in Mahanarayana Upanishad, the last
chapter of Yajur veda. This upanishad also contains several beautiful
mantras used on a daily basis like the offering to the five pranas
(before taking food), meditating within the heart etc. I got the whole
chapter (about 45 minutes of continuous chanting) recorded some 25
years back by “Sangeetha” and I believe it is available in some stores
in Chennai, India. You may learn the pranayama mantra—visit my website
www.vinyasakrama.com/chants and click on the “Learn Pranayama Mantra
chant” tab.

So what is the meaning of this wonderful pranayama mantra? Again there
are different interpretations. The conventional meaning for the seven
vyahritis is seven different worlds starting with the world we live in
to six other higher worlds. But the word loka is interpreted in a more
esoteric sense by a few scholars. They say that the words loka and
look are derived from the same root . And the seven lokas are the
seven perceptions of the ultimate reality which is Brahman the pure
non changing consciousness.

So this approach which gels with the advaita philosophy would be as
follows: According to the Upanishads, Brahman in its pristine state is
alone and there was no time or space (aksha and avakasha) in
contention. The Brahman once thought that it should become many
(bahusyam praja yeyeti). Then in the next stage It deeply contemplated
as to how it should create the universe and make many microcosmic
individual consciousness. This state was known as the stage of tapas
of the Brahman (sa tapo tapyata). Then after deep contemplation and
planning It created the entire Universe (idam sarvam asrujata). After
this creation the Brahman entered and permeated the entire Universe
(tat eva anupravisat) and every being as the individual Self.

The seven vyahrutis are considered as representing the seven states of
the same consciousness four at the microcosmic level and three at the
cosmic level. So when doing pranayama during breath holding
internally, one would say 'om bhuh', contemplate on the consciousness,
represented by pranava or 'om during the waking state. Then as the
second vyahriti 'om bhuvah ' is recited, one would think of the same
consciousness being aware of the individual dream state.

'om suvah” would refer to the same consciousness witnessing the deep
sleep stage. Om mahah, the fourth vyahriti is the consciousness beyond
the three earlier mentioned known amongst the vedantins as the fourth
state of the mind (turiya) or the yogi's kaivalya state. The same
consciousness now is identified with the Brahmana that created the
Universe (Om Janah). Then the next mantra, the sixth “Om tapah” would
represent the Brahman as one deeply contemplating and finally the
pristine state of consciousness “Om satyam” the one and only Brahaman.
With this the abhyasi is able to identify and meditate upon the same
one Brahaman as seen in different states. The theory that there is
only one consciousness that exists both at the cosmic and at the
microcosmic level is the bedrock of the advaita (No two
conciousnesses) viewpoint. So an advaitin while doing pranayama is
able to reinforce the advaitic conviction.

Then the second part of the pranayama mantra is the gayatri mantra. It
again refers to the ultimate reality as the inner light. Just as the
sun with its lustrous orb lights the entire world, the Brahman/Self
lights the entire chitta or the internal world of the meditator, so
that the chitta vrittis are experienced or 'seen' in the mind's eye .

The last portion known as the siras or the head, is an encomium to the
ultimate Brahman. It refers to It as OM., pure consciousness, the
universal light, the essence of the entire Universe, immortal
(unchanging), the source of the universe, and is known to the
individual as the inner Self during the three states of waking, dream
and deep sleep.

This meaning of the pranayama mantra is vividly brought to the mind as
the pranayama mantra is recited silently during antah kumbhaka. Then
it is known as samantraka or sagarbha pranayama. According to Manu
this samantra pranayama is the greatest Tapas/meditation.

It is said that those who are well versed in the chakras are able to
identify the seven vyahritis with the seven chakras in the body using
the respective bijakshara or seed mantras. Some make an effort   to
visualize the cosmic Brahman  in the seven chakras in the microcosm
itself.

There are other types of mantras used. For instance saivaites tend to
chant the siva mantras as they hold the breath as mentioned in the
Tamil Saiva classic “Tirumandiram”. The mantra “sivasiva” of four
syllables is chanted 16 times during one breath hold corresponding to
64 syllables as in the pranayama mantra referred to earlier.

Here is a pranayama for renunciates:

While doing puraka or inhalation the thought would be that the entire
universe is ultimately drawn into the Brahman. Then while in
antahkumbhaka the contemplation would be that the outside Universe and
I are no different from the Brahman. Then while exhaling the ego “I'
with the entire Universe is discarded as nothing but an illusion, not
real, not significant. And in bahya kumbhaka one would contemplate
that pure Brahman alone is real, It alone exists.

Those who believe in the reality of world and the trinity (Brahma,
Vishnu and Siva), would use pranayama to reinforce their faith.

Inhaling through the left nostril one should think of the four faced
Brahma the creator aspect of the trinity and of blood red hue (rajas
guna) while chanting Om 16 times. Then closing both the nostrils  and
holding the breath in  kumbhaka one should think of the white colored
(satva guna) Hari, the protector/sustainer chanting pranava 64 times.
Then while exhaling through the right nostril one should meditate on
Siva of dark color (tamo guna) chanting pranava 32 times. Then one
should start inhaling through the right nostril for 16 matras chanting
pranava 16 times and continue the pranayama for a predetermined number
of times with both mantra and bhava.

Different smritis and very old yoga texts refer to a variety of
pranayamas with and without mantras. Almost all the puranas have a
section on yoga which describe different asanas and pranayamas. (I
think with all this evidence one may say with some conviction that
Yoga is more than 100 years old). For more information on pranayama
you may consider referring to my book “Yoga for the Three Stages of
Life” pages 189 to 211.

Sri Krsishnamacharya's Yoga teachings were unique and very rich. In
Vinyasakrama asana practice, breath synchronization with slow
movements is an essential element. One would start the movement with
the beginning of inhalation or exhalation and complete the movement
with the completion of that breathing phase. The time taken in actual
practice may be between 5 to 10 or 12 seconds depending on one's
capacity and control. If it goes below 5 seconds one would stop the
practice and rest to regain the vinyasa krama acceptable breath. My
Guru, Sri T Krishnamacharya would say 'breathe with hissing sound' (a
la cobra, refer to ananta samapatti in YS) or 'with a mild rubbing
sensation in the throat'.

In this way, with long deep inhalation and exhalation, the intercostal
muscles are stretched and toned up and by the time pranayama is
started the accessory muscles of breathing are well exercised so that
one has a well oiled breathing apparatus for a very productive
pranayama practice. And while doing pranayam introduction of mantras
and bhavas helps to bring the mind to a focus which will be of
considerable help when one starts the meditation process. Thus Sri
Krishnamacharya following the tradition of yoga described in old yoga
texts like the yoga sutras, the puranas, smritis and other ancient
texts helped to understand and achieve the best of an outstanding
ancient system called Yoga.

You may access the earlier Newsletter by visiting my website
www,vinyasakrama.com and clicking on the Newsletter tab. Any comments
or suggestions please e mail to

Best wishes

Sincerely
Srivatsa Ramaswami

Sunday, 29 January 2012

Ramaswami's Newsletter collections NOW available for free on your Kindle

K. has made his compilation of Ramaswami's Newsletters available on Kindle via my Google docs site.

If you don't have a Kindle that's OK as you can download the free ibook kindle app.

If you don't have a ibook then there's still the free kindle reader for you PC, Mac or laptop.

The links take you to my Google docs hosting, just click 'Download' and you'll have the option to open them in your Kindle device or app.

They're also still available in pdf format over on the right sidebar as usual but they do look a little more beautiful on the kindle format, smaller file size too.

Ramaswami's 2009 Newsletters Kindle version

pdf version










Ramaswami's 2010 Newsletters Kindle version

pdf version







Ramaswami's 2011 Newsletters Kindle version

pdf version









Kindle




If your having trouble downloading the free version, my book is also available on Kindle via Amazon for the price of a cup of coffee

Vinyasa Krama at Home Practice book Kindle version










Many thanks to K for all the hard work.

Tuesday, 10 January 2012

NEW 3rd Edition of my Vinyasa Krama practice book finally available for FREE download

Dedicated to my Teacher Srivatsa Ramaswami
                                                      

The NEW, 3rd edition, of my Vinyasa Krama Practice Book is now available for FREE download from my Google docs page. 



This edition includes practice notes for all of Ramaswami's Vinyasa Krama subroutines Ramaswami was a student of Krishnamacharya for over 30 years).

It's still very rough and in need of a complete rewrite to get rid of some of it's 'bloggyness'. It's also inconsistent as the style of the notes have changed over the three months I've been writing them up and posting them here.

Plus there's  the havoc my mac's automatic spell checker has made of all the yoga terms and names, I'll iron them out, I promise.

It is what it is just a series of practice notes, things that came up as I practiced the subroutines each morning. Some of the notes reflect ideas I've picked up in my reading, online, from comments posted here (thank you) and from just working through the subroutines and at the postures. 

Everything I mention I've tried and have found useful in my own practice, there are of course all kinds of other techniques and approaches that could be included, I'm either not aware of them, haven't tried them out or haven't found them useful for me personally.

I've tried to avoid getting too  anatomical.

There are video's for all the subroutines, for some reason the links don't seem to work in ibooks but if you download it and open in the pdf reader they should work fine (My mistake, seems the links DO work in ibooks although it takes you out of ibooks to watch them).

The pranayama and meditation section are the next areas I want to work on, for now they are just a couple of practice sheets. Also, I hope to add practice notes for the Jump back library in the near future.

It is of course NO substitute for Ramaswami's own books, The Complete book of Vinyasa Yoga and Yoga for the Three Stages of Life  both of which I've gained renewed respect for in the process of preparing these notes. The Complete book of Vinyasa Yoga lays out the breath for every single movement in and out of every posture, in every subroutine, in every sequence, quite remarkable. The Three Stages of Life goes into such depth that I consider it the best book on yoga I've come across thus far.

The whole thing has been brought together using Apple Pages. 

Here's the new table of contents to give an idea of what's in it.


TABLE OF CONTENTS
NB: If the video links don’t work in your edition they can be found here http://tinyurl.com/7dvzm8y
VINYASA KRAMA PRACTICE NOTES AND GUIDELINES 9
WHAT IS VINYASA KRAMA ? 10
PARAMETERS ? 11
THE BREATH 12
BREATH RATE? 12
STYLE OF BREATH? 12
HOW LONG DO WE STAY IN POSTURES? 13
HOW LONG TO PRACTICE ? 14
BANDHAS? 15
PERFECTION IN POSTURE? 16
HOW TO PRACTICE VINYASA YOGA 17
CORE VINYASA KRAMA POSTURES 18
HOW TO BUILD  A DAILY PRACTICE WHILE EXPLORING VINYASA KRAMA SUBROUTINES. 19
VINYASA KRAMA SEQUENCES 20
ON YOUR FEET SEQUENCE 21
Day 1 : Hasta Vinyasas  Subroutine 22
Day 2 : Parsva-bhangis ( side movements) Subroutine 24
Day 3 : Uttanasana (forward bend ) Subroutine 26
Day 4 : Ardha utkatasana (half squat) Subroutine 30
Day 5 : Utkatasana (full squat) Subroutine 34
Day 6 : Malasana / Kanchyasana ( garland pose ) Subroutine 36
Day 7 : Pasasana ( noose pose ) Subroutine 38
Binding in Pasasana 40
Day 8 : Surya namaskara ( sun salutations with mantra) 42
DAY 9 : Practising 'On your feet / tadasana' sequences and subroutines. 49
TRIANGLE SEQUENCE 52
Day 10 : Uttita Trikonasana subroutine 53
Day 11 : Parivritta trikonasana (twisting )subroutine 56
Day 12 : Uttita parsva konasana ( side stretch ) subroutine 58
Day 13 : Parsva konasana ( side stretch ) subroutine 60
Day 14 : Viabhadrasana ( Warrior ) subroutine 63
Day 15 :Parasarita padottanasana subroutine 66
Day 16 : Triangle subroutine breakdown 68
ON ONE LEG SEQUENCE 70
Day 17 : Vrikrmasana ( tree pose )subroutine 71
Day 18 : Standing Marchi subroutine 74
Day 19 : Utthita Padangushtasana (stretched leg-arm) subroutine 76
Day 20 : Virabhadrasana (warrior) subroutine 79
Day 21 : Durvasana ( named after a sage ) subroutine 81
Day 22 : Natarjasana (dancing Shiva) subroutine 83
Day 23 :  On one leg Subroutine breakdown Sheet 85
ASYMMETRIC SEQUENCE 87
Day 24 : Dandasana (Staff pose) lead in subroutine 88
VINYASA KRAMA STRAIGHT LEG JUMP THROUGH 90
Day 25 : Marchi (after the sage) subroutine 91
Day 26 : Ardha padmasana (half lotus) subroutine 94
Day 27 : Maha mudra (great seal) subroutine 96
Day 28 : akrarnadhanurasana (archer) & Kraunchasana (heron) subroutine 98
Day 29 : Eka pada sirsasana ( leg to head ) subroutine 100
Day 30 : Triyangmukha ( bent back leg) subroutine 104
Day 31 : Tiryang mukha Marichiyasana (Backward foot) subroutine 107
Day 32 : Ardha padma marichiyasana (half lotus sage) subroutine 109
Day 33 : Bharadwajasana (sage ) & Mahabandha (great lock ) subroutine 112
Day 34 : Matsyendrasana ( half and full Kingfisher) subroutine 114
Day 35 Asymmetric subroutine breakdown 116
SEATED SEQUENCE 120
Day 36 : Paschimottanasana (posterior stretch) subroutine 121
Day 37 : Kurmasana (turtle pose) subroutine 124
Day 38 : Purva tanasana (anterior stretch) and Vashitasana (after the sage) subroutine 126
Day 39 : SEATED : Chatushpadapeetam ( table pose) subroutine 129
Day 40 : Navasana ( boat ) and Urdhwa paschimotasana subroutine 131
Day 41 : SEATED : Upavishta konasana ( seated angle stretch) subroutine 133
Day 42 : SEATED : Badha konasana subroutine 135
Day 43 : Seated Subroutine breakdown 137
BOW SEQUENCE 139
Day 44 : Bow : Makrasana (crocodile) & Manduka (frog) subroutine 140
Day 45 : Bow : Bhujangasana (cobra) subroutine 142
Day 46 : Bow : Asymmetric Salabhasana (locust) subroutine 144
Day 47 : Bow : Salabhasana (locust) subroutine 146
Day 48 : Bow : Dhanurasana ( bow ) subroutine 149
Day 49 : Bow Subroutine breakdown 151
MEDITATIVE SEQUENCE 154
Day 50 : Meditative : Vajrasana (thunderbolt) subroutine 155
Day 51 : Meditative : Ushtrasana ( camel ) subroutine 157
Day 52 : Meditative : Ushtrasana ( camel ) to Kapotasana (pigeon) subroutine 159
Day 53 : Meditative : Standard Camel walk subroutine 163
Day 54 : Meditative : Advanced Camel walk subroutine 165
Day 55 : Meditative : Virasana ( hero pose) subroutine 168
Day 56 : Meditative : Simhasana (lion pose) subroutine 171
DAY 57 : Meditative Subroutine's Breakdown 173
SUPINE SEQUENCE 175
Day 58 : Supine : Tatakamudra (pond gesture) & Jayaraparivritti (belly twist) Subroutine 176
Day 59 : Supine : Apanaasana (pelvic floor poses) subroutine 179
Day 60 : Dwipadapitam ( Desk pose) subroutine 181
Day 61 : Madhya sethu ( mid region bridge pose) & Urdhvadhaurasana ( bridge) subroutine 183
Day 62 : Leg and arm lifts subroutine 186
Day 63 : Supta trivikramasana & yoganidra (reclining yogi pose) subroutine 188
Day 64 : Jataraparivritti (stomach twist variation ) subroutine 191
Day 65 : Sarvangasana (shoulderstand) preparation subroutine 193
Day 66 : Sarvangasana (shoulderstand) lead in subroutine 196
Day 67 : Akunchasana ( contraction pose) in Sarvangasana (shoulderstand) subroutine 199
Day 68 : Supta ardha badha halasana  subroutine 201
Day 69 : Urdhva Konasana in Sarvangasana (shoulderstand) subroutine 204
Day 70 : Urdhva Padmasana (lotus) in Sarvangasana (shoulderstand) subroutine 206
Day 71 : Niralumba Salambhasana ( unsupported shoulderstand) subroutine 210
Day 72 : Halasana (plough) & Uttana mayurasana Stretched peacock) subroutine 213
Day 73 : Sarvangasana mandala (circular ambulation in plough) subroutine 216
Day 74 : Karnapindasana ( closed ear pose) subroutine 219
DAY 75 : Supine: Subroutine Breakdown Page 1 221
INVERTED SEQUENCE 224
Day 76 : INVERTED : Sirsasana (headstand) Lead in 225
Day 77 : INVERTED : Akunchasana (knee bends) subroutine 228
Day 78 : INVERTED : Leg raises subroutine 231
Day 79 : INVERTED : Upavishta konasana ( inverted triangle) subroutine 233
Day 80 : INVERTED : Urdhava Padmasana (inverted lotus) subroutine 235
Day 81 : INVERTED : Viparita Dandasana (crooked staff ) subroutine 239
Day 82 : INVERTED : Inverted Mandala Subroutine 242
Day 83 : INVERTED : Niralumba sirsasana (unsupported headstand) subroutine 244
Day 84 : INVERTED : Arm variations in Niralumba sirsasana ( unsupported headstand) subroutine 247
Day 85 : INVERTED : Handstand subroutine 251
DAY 86 : Inverted: Subroutine Breakdown Page 1 255
LOTUS SEQUENCE 258
Day 87 : LOTUS : Ardha badha-padmasana (half lotus) subroutine 259
Day 88 : LOTUS : Padmasana (lotus) subroutine 261
Day 89 : LOTUS : Badha Padmasana (bound lotus) subroutine 265
Day 90 : LOTUS : Urdhva padmasana (lifted up lotus pose) Subroutine 268
Day 91 : LOTUS : Kukkutasana & garbha pindasana Subroutine 271
Day 92 : LOTUS : Special lotus balancing postures Subroutine 273
DAY 93 Lotus Subroutine Breakdown 276
WINDING DOWN 279
Pranayama, Pratyahara, Meditation 280
Meditation and Pranayama postures 282
Kapalabhati hand and arm positions 283
Pranayama Hand mala ( for counting the breath ) Version One 284
Pranayama Hand mala ( for counting the breath ) Version Two 285
Pranayama 286
Pratyahara in Padmasana and Vajrasana 287
The Subroutines in the Ashtanga Yoga Primary series 288
The Subroutines in the Ashtanga Yoga Primary series 289
JUMP BACK AND THROUGH LIBRARY 294
VINYASA KRAMA JUMP BACK 295
VINYASA KRAMA JUMP THROUGH 296
CROSSED LEG JUMP THROUGH AND BACK 297
HIGH CROSSED LEG JUMP THROUGH 298
STRAIGHT LEG JUMP THROUGH 299
ONE LEG BENT BACK 300
HALF LOTUS JUMP BACK 301
FULL LOTUS JUMP BACK 302
FULL LOTUS JUMP BACK (REVERSE VIEW). 303
FULL LOTUS JUMP THROUGH 304
MARICHIYASANA JUMP BACK 305
DANDASANA UTPLUTHI JUMP BACK 306
EKA PADA SIRSASANA JUMP BACK AND THROUGH 307
RAMASWAMI’S SUBROUTINE NUMBERING SYSTEM 308
VINYASA KRAMA SEQUENCE PRACTICE CARDS 312
ON YOUR FEET 313
TRIANGLE SEQUENCE 318
ON ONE LEG SEQUENCE 323
ASYMMETRIC SEQUENCE 327
SEATED SEQUENCE 332
BOW SEQUENCE 337
MEDITATIVE SEQUENCE 341
SUPINE SEQUENCE 344
INVERTED SEQUENCE 351
LOTUS SEQUENCE 355
YOUR NOTES 361

Tuesday, 3 January 2012

DAY 93 Lotus Subroutine Breakdown

VIDEO LINK
Padmasana, the lotus posture is, of course, the classic meditation posture. Although there are other notable meditation postures, siddhasana, gomukhasana, virasana and vajrasana, padmasana holds a special place because of it's stability. There is a beauty to it's construction, it feels symmetrical, the legs bound secure allowing for the arm balances, for example, in the final subroutine of the series. It is an excellent posture for engaging the bandhas, mula bandha feels particularly grounded and the stability of the pose lends itself to exploring uddiyana and jalandhara bandhas.

As well as for meditation practice, padmasana is an excellent posture for pranayama, again, on account of it's stability.

Some however may ind the posture boring or tedious, the subroutines allow us to explore multiple vinyasas while in padmasana, creating interest that may encourage us to spend longer in the posture which will in time allow the posture to become more comfortable.

The first subroutine day 88, the half lotus, is a good preparation for developing the lotus posture as are many of the hip opening postures and vinyasas from the asymmetric and seated sequences.

In this course of subroutines I've placed the sequences in order in which I tend to practice them, starting with standing postures moving on through seated or backbend postures up to inverted. I tend to finish my practice with one or more lotus subroutines, staying in the posture for my pranayama and meditation practice.

However, while working towards padmasana the half lotus or siddhasana for example would serve just as well.

I've tried to stress that padmasana is about the hips rather than the knees so here, again are my practice notes for entering padmasana from Day 88

Getting in to full Lotus

NB: THE most important thing to remember is to protect your knees, that it's the hip joints that do all the work, the knees only bend one way it's the rotation of the ball and socket hip joint that makes padmasana possible

Right leg
Bend the right knee and bring it up towards the chest. Reach with the right hand down inside the thigh and take hold of the right ankle.

Allow the right knee to drop out to the side through the rotation of the hip joint. Focus on that hip action, of the ball and socket joint, the femur head rotating in the hip socket, encourage it.

There's a tensing of the right buttock a lifting almost and a stretching of the thigh as you encourage the rotation in the hip joint that will bring the knee down towards the mat and the ankle to come up. This action should only happen at the hips joint your NOT pulling up the ankle and your NOT forcing the knee down.

If this isn't happening it might be best to work on more hip opening postures, mahamudra in Asymmetric, badha konasana in Seated.

Lift up through the torso, support the right foot with the left and right palms and guide NOT pull the foot to the left thigh.

Lift up again and bend forward slightly, roll onto the front of the sit bones and guide the right foot a little further up the left thigh into the groin.

Again lift and roll further onto the sit bones allowing the right knee to rest on the mat.

Left leg
Bend the left knee and again focusing on the hip joint allowing the left knee to drop out to the side.

Rock your body forward and draw the right knee out to the side through the thigh muscles. Lock the knee by pressing the calf muscles against the thigh.

Reach over the left foot and support the left ankle with the left palm, cupping under the foot with the right palm, encourage the hip joint to rotate further and allow the knee to drop further out and down. Again, your not pulling on the foot but rather supporting it to allow the hip joint to do it's work.

Lift up through the torso, rock further forward on the sit bones and stretch out through the left thigh to allow the foot to come up over the right leg. 

Using the strength of the thighs bring the knees a little towards each other this will bring the right foot finally up onto the right thigh closer to the groin.

Shuffle around on your sit bones if necessary, encouraging more rotation of the hip joints to tighten the lotus, this is preferable to wrenching, tugging, pulling the feet.

Ultimately, for many of the lotus vinyasas you will require a nice tight lotus where the heels are digging slightly into the belly, the soles of the feet pointing up and the knees closer together. In fact, the heels can be considered to be massaging the inner organs in some of the vinyasas by pressing deep into the belly

To release
Sit up straight lifting up through the torso, focus on the left hip joint and encourage it to rotate by engaging the thigh muscles which will press the left knee into the mat this will allow you to very gently encourage the left foot off of the right thigh.

As you allow the knees to draw apart the lotus will unfold, again allow the right hip joint to do it's work bringing the right knee down into the mat and allowing the right foot to glide off the left thigh.

Monday, 2 January 2012

Day 92 : LOTUS : Special lotus balancing postures subroutine Subroutine from Vinyasa Krama Lotus sequence

VIDEO LINK

Practicing these arm balances and inversions together in one subroutine can be challenging, consider working on them separately at first perhaps including one arm balance a practice or every few days. Utpluthis, the raised lotus from Day 91 is another arm balance as is Kukkutasana, also from Day 91, both will build strength as will the lead in's to most of the subroutines and the sun salutation with mantra.

HINTS/TIPS/SUGGESTIONS

This version of urdhava kukkutasana is a sliding up the arms or rather the arms are there as a guide, we don't want to rely on them too much.

Place the hands close to the knees, rock up onto the knees, shoulders over the fingers. Drop the shoulder blades down the back, engage mula and uddiyana bandha.

Exhale completely hold and pressing the hands down into the mat hoist the lotus up towards the armpits lifting up from your perineum, mula bandha.

The shoulders remember are over the fingers as you come up your shoulders may need to come even further forward to create a counterweight to your hips.

In the beginning hold for a breath and then lower on the inhalation, as you become stronger and improve your balance you may stay for longer, three to six breaths.

Padma mayurasana

Place the hands on the mat as close to the body as possible, almost tucked under your lotus.

bend your elbows slightly and allow your shoulders to drop to allow your elbows to dig into your belly.

Come up onto your knees and then stretch forward while at the same time raising your knees off the ground. 

Padma Mayurasana is in effect a back stretch, tuck in the tailbone and attempt to arch the back slightly to bring the lotus up higher.

The elbows need to be together and really dig into the belly.

In the beginning hold for a breath and then lower on the exhalation, as you become stronger and improve your balance you mary stay for longer, three to six breaths.

Lotus to Sirsasana VIDEO LINK

The final vinyasa called for a tight lotus and you may wish to work towards this as a separate subroutine (see Lotus subroutines -to come).

From seated padmasana, lift up onto your knees, bend forward and place your hands on the mat with the fingers interlocked ready for headstand. Place the back of your head in the cup formed by your hands and bring your knees forward so they are touching your elbows.

To lift back up from here, exhale fully, engage the badhas and pressing firmly into the mat with your elbows draw your knees back up the back of your arms to your armpits.

Take a breath and on the next exhalation, straighten the back to bring the knees to the chest and then straighten the waist to bring your lotus the last of the way up.

Follow the directions above for the 3rd version (pic 11) to lower and raise your lotus to and from the mat. 

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